Being self-employed and working from home WILL give you
cabin fever and so earlier this year, I
decided to make an effort to get out and meet with other people in my industry.
And that has turned out to be a very auspicious decision indeed! (I’m from a
Chinese family, so we are big on anything that smacks of good fortune/luck/providence).
I am very excited to
announce that Rhythm Circle has teamed up with B’Opera to form a musical partnership. Both our organisations have a common
goal of bringing top quality musical
experiences to children whilst respecting their needs as an audience.
The B’opera team of Zoe Challenor, Jacqueline White and Phil Ypres-Smith put so much thought into addressing children as an audience in their own right. Everything from choice of moods, length of repertoire, choice of themes…. even the period before and after the concert has been taken into account.
But great musical experiences don’t just simply stop when toddlers grow up and begin their formal schooling. At Rhythm Circle, we pick up the thread by empowering school-aged children who choose to take the next step in their musical journeys. Using multi-sensory methods, the elements of music are taught by play, using fun and engaging musical games and activities. We believe that children are as worthy as adults to receive rich musical education and experiences. No short-cuts, no dumbing-down.
So this means that in the future B’opera and Rhythm Circle
staff will be working together behind the scenes, sharing resources, and
appearing at each other’s events.
If you have a young child and want top-quality musical experiences for them, then let me introduce you to B’Opera.
Rhythm Circle was invited to the press preview of their latest production Alice and the Library Tree . So…. son and spouse in tow, I went along last Saturday 8 June 2019 to Sutton Library where the event was being held . after-hours.
I had not come across B’Opera
before and was deeply curious about their work on a couple of levels. Firstly, as
a mum to a rumbunctious 3 year old I was keen to find good quality music / theatre
experiences which were produced by people who understood how to work with very
young children. There is a distinct lack of top-rate musical/theatrical/art
experiences by actual music/theatre/art specialists who understand how to
deliver the best possible experience to very young children. Secondly, as a
professional musician, I wanted to see what other people in my industry were actually
doing to fill this niche.
Well…. I loved the whole
production, from choice of music (Handel, Mozart, Beethoven, and Wagner amongst others) to length of show
(perfect length for a restless toddler), inventive costumes and set (loved the Zimmer frame tortoise, and
the tree). It was a bespoke mini-opera for little ones and the
whole experience was simply wonderful!
As a mum:
My 3 year old son really enjoyed it. He was really tired due to the late hour (it finished at 6pm when he usually has dinner and bedtime) but he just kept on being caught up in the show. The children were invited to join in at various points throughout the show, but could opt-out if they didn’t feel like it. Now this is a REALLY important thing for my deeply-suspicious son. He watched the sing-along from the safety of Daddy’s arms, regretted not joining in, and straightaway jumped in the next time the audience were invited to participate. There were themes and ideas which he could follow, emotions he could identify with, and each segment was perfectly timed in terms of length. The whole family had a great time and I would definitely look out and go for the next B’Opera show.
As a musician:
It was so satisfying to see a musical production that was specially created for very young children. We had real musicians performing, and as a trained musician I am happy to vouch for the quality of prep and performance. B’Opera prepared the whole thing as they would normally have done for an opera onstage. Serious musical expertise was on display here, folks! This was bespoke art with a capital B. It all looked so simple, but the musical score could not have been put together by anyone other than seriously experienced musicians with good taste and artistry. The songs could not have been sung by anyone other than experienced singers with good technique, great communication, and stage presence. Not forgetting all the supporting people who made the magic happened, like costume and set designers (apologies to anyone at B’Opera whom I missed out)